Nicolas Grospierre (1975) is a photographer, mainly of architecture, and an artist working in the expanded field of photography. He studied political science and sociology at the Institut d’Etudes Politiques in Paris and the London School of Economics before turning to photography. He lives in Warsaw.

His work as a photographer has focused on one hand on documentary projects, which explore the collective memory and hopes of modernist architecture, now that the utopian ideology behind it has faded away. His works, often composing a broader artwork series, subjectively explore the atlas of 20th-century architecture, often in its ideological, metaphorical,and dystopian dimensions. They also address the notion of identity (and nationhood) from an East-West perspective, and the relation of individuals to their built environment and to the Anthropocene.The other side of his work focuses on conceptual photography, emphasising mind games and visual paradoxes, while presenting attractive and sensual images and even installations.

Grospierre’s portrait was shot in the Royal Łazienki Palace, inside the exhibition "Heliograms in the Salle de Salomon".